7/21/2023 0 Comments Texas chain saw massacre picturesBut the locals aren’t keen on Austinites invading their lives on the fringe - especially a burly man who enjoys wearing human-skin masks. In the sequel, two Instagram-brained chefs, Melody (Sarah Yarkin) and Dante (Jacob Latimore), descend upon a Texas ghost town with hopes of revitalizing it into a haven for avocado toast. Between scenes of intense splatter violence, Garcia threads scenes of intense real-life violence. The 2022 Texas Chainsaw Massacre directly grapples with gun violence in America and the trauma of school shootings. But unlike the original, it isn’t allegory. Garcia is quick to note that the violence in Netflix’s Texas Chainsaw Massacre - a direct sequel to Tobe Hooper’s original 1974 movie, much like 2018’s Halloween directly follows the 1978 original - is “not violence for violence sake.” Inspired by the way Hooper’s anti-Vietnam-war rage blossomed into the grungy slasher-movie milestone, Garcia’s film deals in social commentary even as Leatherface disembowels his victims. If you didn’t get it, right, reset, even if it takes an hour, then shoot it again, because that’s the stuff that people are coming to see.” “Fede taught me to get creative with the kills, and use more blood than you think you need to. ![]() “Audiences expect more, they want to get wowed, they want to be shocked,” Garcia tells Polygon. So when director David Blue Garcia stepped in to make a new installment of the franchise, producer Fede Álvarez - a certifiable maestro of mayhem after directing 2013’s Evil Dead and 2016’s Don’t Breathe - made the priorities clear. Whether by accident or design, this one is a classic.There’s really only one requirement for a Texas Chainsaw Massacre movie: Unsuspecting Horror-Movie Targets need to get massacred with a chainsaw, preferably in Texas. Despite the complete lack of gore or extreme physical violence, The Texas Chainsaw Massacre continues to horrify and holds up the countless, shot-on-video, slasher clones of subsequent years for the puerile crap that they truly are. It is a great testimony to the experimentation and risk taking attitude of the era that all melody is destroyed under an industrial ambient soundscape of metallic clangs, scrapes and screams, evoking the atmosphere of the local slaughterhouse and the Family's state of mind. The soundtrack is exceptional and deserves more recognition. Few actresses have so effectively conveyed mind-numbing terror. Though she has little more to work with than the clichéd screaming heroine, she works it with remarkable conviction. Performances are universally startling, but special mention has to go to Marilyn Burns. Though not always likable, the actors are always believable. Every frame seems saturated in nicotine gold. The brilliant azure skies, the jade green of the grass, the bright red generator, the searing sunlight and stifling shadows. The picture quality is outstanding, the colors rich and vibrant, the blacks inky and menacing. Watching the Special Edition, you'd never know that this was shot on 16mm in poor light. Leatherface's travesty of motherly domesticity as he prepares dinner, his child-like dance in the dawn light, the open door at the gas station, the van making it's slow turn off the road towards the derelict and ivy clad Hardesty residence are all images that burn themselves into your consciousness after just a single viewing. The cast and crew work tirelessly to create scenes and images that are raw and powerful and ultimately, against all expectations, beautiful. ![]() But Chain Saw isn't about storyline and plot it's about creating an experience, a sensory overload. The movie has a weak, though functional storyline, one that has since became the staple for slasher movies a group of teenagers get lost, stumble across evil and get stalked and killed. As a mirror of a dark period in American history, Chain Saw remains one of the best evocations yet of the era, as a group of young individuals, returning to the nostalgic home of their childhood, stumble into the raw and irrational cruelty of the modern world. It was an era of plane hijackings, government oppression and dishonesty, racial conflict, terrorism and revolution. It was shot in the summer of 1973, during the aftermath of the Vietnam War and the Munich Olympics massacre, at the height of the Watergate scandal and the legal investigation into the shootings at Kent State. The Texas Chain Saw Massacre can, and will, be reinterpreted by critics and theorists for decades to come.
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